EGX Rezzed 2019 | Rob's Take

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£50.90. Fifty pounds and ninety pence. One more time for the folks in the cheap seats: FIFTY POUNDS and NINETY PENCE. That’s right, comrades, the glorious English rail network outdid itself once more, as yours truly hurtled towards London from beautiful Brighton town, #NoSeatsAvailableNoSeatRequired. We really do get well looked after…

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by Rob Holt

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@acousticmagic

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Good thing Shadwell’s best bean-brewer were open, offering a boost as I swaggered nonchalantly to my second home - EGX Rezzed at London’s Tobacco Dock!

After a quick bit of the old how’d-ya-do with our esteemed Editor, Sir James Michael Parry, we ventured forth into the grand Indie Room to see how the folks at Inkle were doing during the final approach of their gorgeous game Heaven’s Vault.

One of my games of 2018’s show, this year Inkle had a new level to show off, and, as expected, it looked and played a dream. For those not in the know, Heaven’s Vault is a marriage of point-‘n’-click and third-person adventure all about archaeology and deciphering language, complete with absolutely-chuffing-charming visuals. The pair of us can’t wait to get our hands on the finished product, which launches next Tuesday, 16 April.

Staying put in the bombast of the Indie Room, we pushed on towards the offerings of good ol’ Chucklefish. They had recent release Wargroove in tow, along with new joints like Pathway (fab desert-based strategy RPG), metroidvania-tinged puzzle platformer Timespinner, and my personal pick of the bunch, Eastward. Not to be confused with that Clint fellow, mind. Or the recent Outward...

Playing (and looking) like The Last of Us funneled through Stardew Valley, Eastward charts the tale of two folks caught up in one of those ruddy world-crumbling-apocalypse periods. Using the skills of each character to solve puzzles, traverse terrain and bash baddies was a lot of fun; I’m looking forward to playing this one again, hopefully soon!

The Indie Room was also home to the underwater charm of Beyond Blue, a game made by the folks behind Never Alone, in collaboration with the BBC’s Blue Planet team. Imagine an HD Endless Ocean, and you’re halfway there. Following the story of Mirai, a researcher attempting to communicate and explore the depths in ways never before seen, Beyond Blue was a dream to play for an ocean-obsessive like moi. Check out the trailer, it really is dreamy.

Our last port of call in the Indie Room was a little game by the name of Mable and the Wood. Taking its inspiration from many classics of the 16-bit era, this platforming adventure game puts thee in the role of a girl with a terrible shape-shifting gift. That’s right, pals: kill a big bastard spider and you steal its grotty powers of webbage (and so on and so forth). Add amusing NPC dialogue and lovely audiovisuals to the fun, challenging gameplay and you’re onto a winner.

Next up JMP and I toddled off to the illusory Unreal Engine Showcase, to delve into some local multiplayer shootin’ and-a snookerin’.

From two-man Italian developer Ludicrous Games, Guntastic is a frantic game of one-screen shooting and platforming. Full of weapons, power-ups, and switches to send trains crashing through stages (and enemies), this free-for-all arcade shooter brought smiles to all who played it.

So, as the great saying goes: “Once one has shot, one must pot.” With that, we went to visit the Snooker 19 gang for a quick frame of Jim Davidson’s favourite sport.

I’ll be honest here and admit I didn’t expect much from Snooker 19. Hands held firmly upward, I’ll also admit I was wrong - it’s bloody excellent! Photorealistic visuals; licensed venues, tournaments and players; authentic cue-on-ball tones; and simple to understand, yet hard to master controls. Lab42 even seem to have taken our suggestion for mini-games based on Australian-accented Ronnie O’Sullivan interviews and 70s-era cigarette smoking and beer drinking under consideration, so let’s hope they get patched in before the game releases next week!

After a quick pizza break - during which we had the great pleasure of listening to the sarcastic woman behind the counter take the piss out of every customer - we went and got green in the ID@Xbox arena.

There were old faves on show like Far: Lone Sails and Human: Fall Flat (fans of that one should keep an eye out for the next of our weekly giveaways), but it was new games Cat Quest 2 and Truberbrook that stood tail and suitcase above the rest.

Cat Quest 2 continues all the excellent RPG goodness of the first game, but with the added twist of a second player this time around. Travelling its colourful cartoon world, beating up baddies and completing quests, chum of choice by your side - purrrrfe... actually, nope, I won’t do it!

Stood abreast of Cat Quest 2’s kitty-caper was, of course, Truberbrook, which is my sleeper hit of the show. Another point-and-click adventure, the game puts you in the shoes of travelling American physicist Tannhauser, as he attempts to break through a mental block in the titular, sleepy German town. The graphics and dialogue provided not only humour, but a lot of intrigue too. I’ll be keeping a beady eye on this mysterious little game, eagerly awaiting its Xbox release.

Down, down, down into the bowels of Tobacco Dock did we plunder, eventually taking up residence in The Leftfield Collection, which had been 2018’s best room. Blessed with a glut of beautiful, innovative and downright quirky games, the LFC again proved to be a personal highlight.

There were beautiful, relaxing games like Becalm; the hilarious fun of Drink More Glurp, best likened to a mix of Octodad and Track & Field; sublime puzzle adventuring with OMNO; and Nth Dimensional Hiking, a far-out, no-hands-held 3D platformer with bizarre, blurry visuals.

The sheer amount of creativity on display never fails to astound me, and all of us here at Pass the Controller, in fact. Long may it continue.

Avoid pecking pigeons, evade the eclairs, and bash the battenberg...

To the homestretch, then, and my favourite part of this year’s show - Coatsink’s showing! Everything about their area was fun, colourful and silly; from the two glorious games on show, to PR man Jack - who won this year’s beard-off, yet again - to the countless laughing, smiling visitors.

New title Cake Bash takes the guts of Super Smash Bros., but replaces those famous Nintendo icons with different types of cake. Yes, cake. Avoid pecking pigeons, evade the eclairs, and bash the battenberg in your quest to cover yourself in decorations, garnish a custard tart, or just plain ice a fondant fancy. A brilliant premise that we look forward to seeing more of.

Check out our video coverage of Rezzed 2019.

We end then with Phogs, the glorious two-folks-one-controller game. James and I once again spent most of this year’s play session laughing out loud as we slid the eponymous double-ended dog around ravishing night time locales, all in search of bones and moons to feed to giant knitted snakes. If that doesn’t sound like the best thing ever, then you are officially a dull, dim-witted turd.

Exhausted, and fearing the worst for my journey home, I slipped away, ready to haunt the halls again next year. Thanks for the games you lovely devs; grazie for the pizza you benevolent gentleman James; and fuck you to ye extortionate Network Rail. See you in 2020. XOXO