Let’s be blunt here: snooker hasn’t been in the mainstream since TV’s Big Break, featuring the chauvinistic “charm” of Jim Davidson and trick-shots aplenty from John Virgo. We appreciated our first foray onto Snooker 19’s green baize at this year’s EGX Rezzed, but is the final product “Rocket” Ronnie O’Sullivan quality snooker, or “Rancid” Rob Holt level play?
Difficulty in the single-player modes can often feel out of balance, too. We’ve played multiple games with the AI set at the low, middle and high ends of difficult and nothing much seems to change. Making one mistake will definitely lead to a loss in the mid to top tiers, though two mistakes are still enough to see you off at lower rungs. You can change your own aim assists and the like to make tricky pots easier, though we’d advise playing with this enabled to begin with so you can get your eye in.
Multiplayer options are solid, if unspectacular. While there are your standard online 1-on-1s and tournaments, it’s local multiplayer that lifts the trophy for us. Playing in the room with an enemy or good associate is absolutely grand, their fixed gaze making for tense moments which lead to simple pots being bodaciously blundered.
As previously mentioned, Snooker 19 really does look and sound the part. Balls are super shiny, John Higgins’ face is accurately morose-y, and the arenas and tables look superb...y. The thoroughly satisfying sound of cue-on-ball and ball-in-pocket are truly authentic, while the commentary from Neal Foulds and David Hendon follows the action most of the time - a regular slip up for sports games of this budget/niche. There is a lot of silence during gameplay, but that’s befitting of a concentration-based sport like snooker, so we won’t hold that against developer Lab42.
As we reach the end of the frame, we cannae help but feel a touch disappointed with Snooker 19. Yes, it’s a niche sports title at a competitive price (~£25) but the lack of customisation, modes and training really hurt it. Big snooker fans will love it, that’s for certain, but it doesn’t have enough mainstream appeal to reach a wider audience.