There’s no hiding the fact that Bombslinger is heavily inspired by Bomberman, at first glance even appearing as little more than a Western reskin of the classic series. Whilst the serviceable Battle mode doesn’t do too much to dispute that, its roguelike Adventure mode blasts Bombslinger past Konami’s most recent effort - Super Bomberman R.
Its roguelike Adventure mode propels Bombslinger past Konami’s most recent effort - Super Bomberman R.
While not as complex as the likes of The Binding of Isaac, which can be pretty obstructive to newcomers, the occasionally clumsy four-directional movement in Bombslinger will leave some a-shakin’ in their snakeskins. You’ll very frequently need to duck around a corner to avoid the blast radius of a bomb, but every so often you can be slightly off centre to the gap you’re attempting to squeeze through and end up taking damage as a direct result of the fiddly correction process. Considering that this has the potential to put an end to a run, it’s far from ideal.
It’s not such a problem in Battle mode’s lower stakes skirmishes, though that’s not to say they’re easy - the AI takes no prisoners, yeller belly! DeathMatch and Last Man Standing game types can be played across 12 maps, with the former a frantic race to the frag limit and the latter a more considered bout for survival.
In familiar fashion, you’re placed into a maze filled with a mix of destructible and non-destructible obstacles, as well as power-ups and power-downs, with a mad scramble ensuing as up to four bombers fill lanes with flames in an attempt to quell the competition. It proves tense, fast-paced and skilful despite the inherent simplicity, which makes the lack of online multiplayer support all the greater a blow.
A pick up and play nature makes Bombslinger ideal for gaming on the go, but, when it comes to local competitive matches, a big ol’ TV screen is the ideal way for everyone to keep track of what’s going on. This makes Nintendo Switch the game's ideal platform, offering up the best of both worlds and sacrificing none of the sharp retro aesthetic in the process.
The occasionally clumsy four-directional movement will leave some a-shakin’ in their snakeskins.
Bombslinger’s tentpole is its excellent roguelike Adventure mode, which boasts a characteristically addictive gameplay loop that compels you to keep developing your skill set over time. Battle mode is very much a secondary distraction, though proves to be good fun when getting some local friends involved - it’s just a shame that the fun can’t be taken online when there’s nobody to hand, and that control issues can make a game with a consistent level of challenge stray towards feeling unfair. Still, if you’re a fan of the Bomberman template, Bombslinger is a game you probably won’t want to miss.
Masters of Anima is a charming action strategy game in the vein of Pikmin and Overlord, where the player guides a young man named Otto on a quest to save his betrothed.
Excellent balance is struck between the game's three key pillars in exploration, puzzle solving and combat.
Stocking up on a certain type of Guardian as a situation dictates - bow-wielding Sentinels for a boss that cuts a swathe through melee fighters, for example - can help to secure not just victory, but a pat on the back and some extra experience points too. You receive a letter grading at the end of each engagement, with the lofty S rank often taking a few failed practice attempts to reach.
Upgrading Guardians can help to make them useful in more situations, but with skill points shared between each class and Otto himself, deciding where to invest them can take a bit of thought; luckily, you can respec as many times as you like between levels in order to really nail the perfect loadout. Replaying stages will net you extra experience to keep improving your build, which is a nice little motivator to do so, as is the opportunity to improve upon letter gradings and gather any remaining collectibles.
Outside of the odd technical performance dip and a few proofreading oversights (just note that we were playing a pre-release version), Masters of Anima is a game that’s very easy to admire. Rich with personality and considered design, joining Otto on his quest is a no-brainer for fans of the often overlooked action strategy genre.
Welcome to a world without consequences. Set in a twisted version of Montana, USA, Far Cry 5’s Hope County has become overrun by religious fanatics, and your nameless deputy is either a professional freedom fighter or a destructive terrorist in a fight to restore order.
It sounds nitpicky, but the problem extends further. You’re free to shoot a quest-giver or ally in the head, leaving them writhing in pain on the floor, but as soon as you get them back up again, they act like nothing ever happened. The game asks you to fight for the cause, even though your character, a new Sheriff’s Deputy - who gets merely a handful of customisation options in the way of backstory - represents an establishment that locals don’t care much for at the best of times.
None of this would be an issue, if the game’s plot didn’t ask you to take the situation so seriously. The visual presentation - particularly stunning on Xbox One X at times - gives a sense of realism, while the practicalities of the game suggest the opposite.
As you start to complete missions, specialists will offer themselves up to join you in your quest (you’re arbitrarily limited to taking one into battle at first, then two later), and they can range from the fairly believable, if stereotypical, redneck with a penchant for explosives, to a bow-sporting Lara Croft wannabe, and, even… a trained bear called Cheeseburger.
Far Cry 5's plot asks you to take it seriously, whereas the game itself suggests the opposite.
Fighting with allies in stride makes you less of a lone wolf and more of a tactical force, as you can dispatch them into combat on a whim - they’ll even try to do it sneakily if the alarm hasn’t already been raised. Unfortunately, while in a BioWare RPG like Mass Effect or Dragon Age these allies are a true extension of your character (as well as having plentiful character of their own), here their implementation is staggeringly basic and the AI not up to the task nine times out of ten, often giving the game away or spending too long dawdling to prove useful.
Far Cry 5 is at its best as you make your way across the map, perhaps in one of many vehicles, towards an objective. Here the game’s freedom is a blessing, giving you the choice to get involved or jog on, safe in the knowledge that nothing bad will happen if you don’t prevent the evil going on all around you. Where things fail to hold together is when the narrative presents you with one of the Seed siblings, confusingly referred to as both Lieutenants and Heralds in different places in the game, and demands you pass judgement on them by destroying their regime a piece at a time.
Take Faith (above) for example, the younger sister of Joseph: she’s busy getting the locals hooked on a euphoric drug called Bliss so that they can see the light of ‘The Father’ (Joseph). As you begin to loosen her grip on her section of Hope County, she pays you a visit a few times and forces you to complete tests, such as a literal leap of faith that represents your own descent into drug addiction.
This begins to play tricks with you as you wander around the world - showing you animals you’re looking for or civilians in peril only to have them disappear or change shape when you get to them - but the climax, your final confrontation with her, is relegated to an antiquated-feeling gun show. Compare this to a more cerebral experience in, say, BioShock Infinite, and you’ll find that the places where the game as a whole could have gone that extra mile begin to wrack up.
If you’re purely looking for some solid shooter gameplay, then everything on offer is fine, though many of the better guns are locked away until you’ve made a dent in the Seeds’ regime. That or held behind prohibitively expensive store fronts which gesture naggingly towards Silver, the game’s premium currency.
FC5’s extremes are perhaps more at home in user-generated content fest Far Cry Arcade mode (and, by the names of them alone, its zany DLC packs), which offers up a range of challenges to keep an itchy trigger finger satisfied, as well as the opportunity to create your own.
All of this leaves Far Cry 5 in a strange place. The main antagonist doesn’t have the charisma or interest of someone like Vaas, who sticks in the mind from Far Cry 3’s trailers alone, which makes meandering around the world more compelling than actually getting closer to a final showdown with The Father.
Those who want a more tactical experience already have Ghost Recon Wildlands, albeit in third-person, and the awkward, mismatched tone here takes away more than it differentiates. If you fancy a distraction which is fun and varied while it lasts, but ultimately does little to leave a lasting impression (whilst failing to ask any thought-provoking questions at a time when the US’s attitudes and values are more under the spotlight than ever), then Far Cry 5 could be what you’re looking for.