Pass the Controller | Latest news, reviews and reviews in video games
  • Home
  • News
  • Reviews
  • Features
  • Videos
  • Community
  • About
    • Contact
    • Meet the Team
  • Home
  • News
  • Reviews
  • Features
  • Videos
  • Community
  • About
    • Contact
    • Meet the Team
>

Avowed review | Xbox Series X|S

19/2/2025

 
Avowed skeleton

Fantasy is having a bit of a resurgence lately. Sure everyone always has kind words for The Elder Scrolls VI: Skyrim, but that was 14 years ago, and with other heavy hitters like Dragon Age and even Diablo sitting on their hands for a few years (“do you guys not have phones?”) it was mostly left up to the waning World of Warcraft to fly the AAA flag for the mythical realm in much of the 2010s and early 20s.

Fast-forward to 2023 and the full release of early-access darling Baldur’s Gate 3 it felt like everything suddenly changed. There was a new Monster Hunter, a second grown up The Legend of Zelda, and an open-world Harry Potter game. Diablo even came back in full force, and a swathe of indies bringing fresh ideas to the table like Sea of Stars and The Plucky Squire.

Fantasy felt fantastical, new, and exciting again for the first time in a decade, so much so that plenty of players are still exploring Faerûn to this day. And now, in this post-BG3 world, a new challenger approaches – Avowed.
Pass the Controller logo blue
by James Michael Parry

Twitter logo

@james_parry

Avowed box art
Developer: Obsidian Entertainment
Publisher: Xbox Games Studios
Platforms: Xbox Series X|S, PC
Players: 1


All fun(gi) and games

Avowed docks
While the gaming landscape is always going to ask a lot of any new IP, albeit one set in an existing universe, fantasy always gets a harder time as there’s a sense we’ve seen it all before.

Industry veteran’s Obsidian met this challenge with one thing – mushrooms. While other games might focus on an evil demon or a troublesome wizard, Avowed personifies its nefarious force as twisted mother nature itself extending its roots into the ground and driving people mad with something called the dream scourge.

When the condition affects people for too long they gradually start to lose grip on what is real and what is a dream, as you discover quickly in an early encounter with a troubled guard.

The wrinkle is that your character is unlike most other NPCs, they have lichen-like colours on their face and unusual head growths that look a bit like roots. These come from being touched by one of the gods, hence the name – godlike.

Other characters comment on your appearance frequently, and it definitely impacts how people treat you. The main effect on gameplay is that you are immediately even more of an outsider, with more to prove.​

Grow your own adventure

Avowed combat
Your character, whichever race and class you choose, will always be godlike, and also will have no idea which god they are connected to. Exploring the secrets of your origins is a key theme throughout the game, and does succeed in making you care about your character’s journey.

As well as name and appearance – and the visual customisation is pretty substantial – you get to choose elements of your character’s backstory. There's variety but also the game never paints you into a corner, as all your skills options are completely open regardless of your choices at the beginning. You can even respec for a nominal fee.

All these touches go a long way to make the process of getting started stress-free, and allows you to get right into the game and immerse yourself in its story and world without getting distracted by numbers and options.

There are stat points to apply and skills to unlock, but there’s a straightforward simplicity to how everything is explained, and it’s always clear when the weapon you’ve picked up is just something simple, or something fancy which is worth holding onto.

In fact, Obsidian’s approach to who you are feels fairly relaxed and straightforward compared to the depth of something like Baldur’s Gate 3. That class flexibility could let you pursue all classes at once, though you’d be spending a lot of time grinding enemies.​

Better the mushroom you know

Avowed Kai
While there are natural enemies like spiders to contend with, there are also kith – a lizard-like creature, that can come in all manner of types.

This is mirrored by skeletons, who may even be priests that have a tendency to heal and revive other enemies, including bigger boss enemies.
While the locals are generally suspicious, you're given free reign to explore and your status as an envoy tends to help you get to the bottom of most situations...
Combat overall offers a solid challenge that does make you think, often just spamming attack as fast as possible isn't the way to go.

There is a dodge mechanic, though locking onto enemies and moving around the space is difficult to master at first, especially if you're playing in first person. Fortunately, the game lets you switch between the two at your leisure.

Exploring The Living Lands

Avowed docks
The structure of the game plays out fairly traditionally. You are tasked by the king with essentially investigating what's going on in The Living Lands – a group of islands away from the main kingdom that's experiencing this mysterious dream scourge.

While the locals are generally suspicious, you're given free reign to explore and your status as an envoy tends to help you get to the bottom of most situations.

Along for the ride, and with a useful amount of local knowledge, are your companions, chief among them is Kai, voiced by Brandon Keener who you may know better as Garrus from the Mass Effect series.

As well as being a dab hand in combat, Kai is instantly likeable, bringing just the right mix of humour and charm, which can help with your diplomacy with the inhabitants.​

It’s a kind of magic

Avowed landscape
While we opted for the fighter class, it doesn't take magic off the table. As well as unlocking magic through skills you can also use grimoire volumes which unlock entry-level (and later, with a skill point or two, more advanced) spells that can be used for various elemental effects, useful for opening some doors or mastering other simple puzzles.

Combining the grimoire in combat with your main weapon can make for some interesting combinations, and it's nice to have an approachable way to do some magic without needing to invest skill points.

These tactics are crucial for getting the edge in certain fights, as each type of enemy will attack slightly differently. At first you might find yourself being overwhelmed, but picking up the combat after a few tries doesn't take too long, and, unlike some games, the process of learning isn't punishing.​

Forging your destiny

Avowed bow and arrow
There are a few things the game doesn't spell out however, at least not at first, so it can take a while to feel like you've got to grips with it all.

One fun feature is that you can wear one piece of armour but take on the visual attributes of another, so you don't have to sacrifice your look for better stats.

Or there's the fact that enemies in the game generally don't respawn, meaning adventure is the main way to gain experience and climb levels.

In contrast, in your character menu there's plenty to read and absorb, but if you breeze through without reading the instructions the first time you'll find there's a lot of reading to do to remind yourself when it comes time to upgrade items, for example.

In all Avowed is a fantastic, original experience which carries through Oblivion’s knack for characterisation and good writing while not getting side-tracked with too much depth. (If you're looking to romance your companions, for example, BG3 or Dragon Age are your best bet).

While it might not push every visual boundary, the Unreal Engine does produce some nice looking environments, and above all the lasting impression as you explore is that the natural world has been left to define the landscape.

Even more than that, there is colour everywhere, and even bioluminescence, particularly in areas where there is a lot of fungi around.

There might not be the depth of Baldur's Gate – though, at this point, what other game does – but there's a huge amount to explore through a series of different locations and climates.

Fantasy fans will feel right and home, and even if you're not, or you're on the fence, this is well worth your time.

​Pros
  • Bright, colourful, and exciting world
  • Fantasy's best bits without the fuss
  • Garrus is back!

Cons
  • Enemy and weapon variety is limited
  • Combat takes some mastery
  • Lack of romance may irk some

9/10​
0 Comments

Worldless review | PC

27/11/2023

 
worldless-review-pass-the-controller

One of our favourites from EGX 2022 is finally out and ready to be put through its paces, gather round as we give you the lowdown on Noname Studios’ Worldless.
Picture
by James
Michael Parry

Picture

​@james_parry

Picture
Developer: Noname
Studios
Publisher: Coatsink,
Thunderful
Platforms: PC, Xbox
PlayStation,
Nintendo Switch
Players: 1
SO, WHAT'S IT ALL ABOUT?
Imagine a turn-based platform adventure game with a wireframe-inspired visual style and you’re already close to the audio visual experience that is Worldless. From the word go the style of the game has you hooked, with it’s clean design choices and soothing ambient music.

IS IT SOME SORT OF WORD GAME?
While an uninformed search could lead you to a similarly named clone of a popular word game, here the emphasis is an interface which doesn’t involve text, besides the speech of an NPC. It immediately adds a sense of something polished and well thought-out from the word go.

WHAT DO YOU DO IN GAMEPLAY?
The platforming sections are fairly straightforward. You quickly acquire an air dash and a combination of it and a standard jump lead to some simple challenges, where it goes up a notch is when the environment starts to get more complex, with switches, manually triggered platforms and pendulums propelling you about the level.

The other main element is the turn-based combat, which includes a real-time element to the actual strikes and blocks depending on the turn you’re on. Like the platforming, it looks simple on the surface, with either physical or magic attacks being dished out or blocked against. Fairly quickly though, elements are added in, leading to strengths and weaknesses to bear in mind, and the experience acts on a bit of a risk/reward thanks to one mechanic which adds another dimension to encounters – absorption.
worldless-review-pass-the-controller
ALRIGHT, WE'LL BITE, WHAT'S ABSORPTION?
While defeating enemies is all well and good, the ultimate test in combat is to weaken and then absorb the essence of your foes. While you can get away with just winning encounters, really to gain physical or magical skill points in serious numbers, you’ll need to squeeze them out of your enemies.
​
To do this, you need to hold your own in combat long enough to fill a meter, and then trigger a timed series of button presses to complete the move. The trick is that the weaker the enemy, the more prompts will be revealed. If you try to take a shortcut, you’ll be presented with prompts obscured by question marks and have to try your luck.

Fortunately, the presses you do get right do count for the next time around, so you can come back and complete the sequence rather than starting from scratch.
​

It feels somewhat similar to Pokémon’s traditional catching system, but without the random element of unfairness when that Squirtle you thought was in the bag manages to run away.
worldless-review-pass-the-controller
HOW DIFFICULT IS IT?
This is always a hard question to answer, as it’s so subjective. That said, the balance between frantic button presses and really working out the optimum timing of counters to protect your shields and give you a fighting chance in harder battles takes a while to get the hang of.

There’s the odd boss too, usually larger and testing your skills so far to the limit, as you might expect, but there’s no sense of an uneasy difficulty spike.

What is encouraging is that a failure in any face-off doesn’t mean all is lost – you can go again with everything reset, no questions asked.

Any battle where you didn’t absorb the enemy also remains on the level for you to revisit later, perhaps when you’ve picked up a few skills.
worldless-review-pass-the-controller
ANYTHING YOU WEREN'T A FAN OF?
The map and skill trees, while very much in keeping with the style of the rest of the game, could be a little easier to follow.

Otherwise your mileage will vary depending on how much patience you have for roguelike trial and improvement when it comes to the combat, and the platforming side is solid without really breaking the mould or really making you sit up out of your chair.
worldless-review-pass-the-controller
FINAL THOUGHTS?
Worldless is a beautiful, challenging journey which has some very clever design layered on top of a solid, fun game.

Depending on your mood, you might find slogging away for long sessions a bit of a grind, but the satisfaction when you get the hang of an enemy and steal their power is huge.

Definitely not one to discount as “just another indie game”.

9/10
0 Comments

LEGO Star Wars: The Skywalker Saga review | Xbox Series X|S

12/4/2022

 
The Millenium Falcon in Cloud City

Many of us, especially around here, have had a fairly long history with LEGO games, and an even longer history with Star Wars, so you could say expectations were high for LEGO Star Wars: The Skywalker Saga.

James Michael Parry
by James Michael Parry

Picture

​@james_parry

Picture
Developer: TT Games
Publisher: WB Games
Platforms: Xbox Series X|S, PS5, Switch, PS4, Xbox One, PC
Players: 1-2


Back in 2016, I talked about needing a break from LEGO games, since I’d dipped into most games by then, and then I proceeded to review at least half a dozen more over the next few years that followed, including LEGO The Force Awakens, which was all the way back in 2017.

Coming back to the LEGO Star Wars franchise after all this time feels strangely refreshing, and although many of these stories and moments have been touched on in previous games going as far back as 2005, the series' trademark physical humour and beautiful presentation is back and better than ever.

Visually, the amount of lighting effects and reflections here really lifts the action on-screen, while the character models have a lot more texture and surface imperfections which really give you the sense this is actual LEGO.

Attention to detail in that area is a delight, since you can't beat the excitement of seeing a physical set you own perfectly recreated in the game, as happened on numerous occasions, particularly with the various spaceships, which, along with the characters themselves, are numerous.

The format of this game is as straightforward as you'd expect, with each of the nine episodes bringing its own characters and locations, but the galaxy is connected by a map which lets you zip between any planet you've been to in any film. So, if you want to, you can bumble about Naboo with Rey and Finn to find some Kyber Bricks (the main brick to collect this time), which might be tucked away behind an environmental puzzle or challenge.​
Obi-Wan and Darth Maul with lightsabers
Characters each have different abilities, depending on their type, and the variety brings in the sort of range of gameplay we've seen across countless LEGO games all in one.

It can prove frustrating at times to keep straight exactly what tool is needed to deal with each different coloured glow, but once you've got the hang of it (or refreshed your memory), you settle into the experience quite easily.

The puzzles themselves aren't massively challenging, though you aren't always given a huge amount of direction, a lot of the challenge is piecing visual cues together to work out the way to go.
Rey dodges a TIE fighter
Combat isn't too tough either, especially if you've got one of the many lightsaber-weilding characters along for the ride, as between the sabers themselves and force powers, your characters will make quick work of most enemies.

If you do find you need a bit of extra oomph though, there is a rudimentary upgrade system, which lets you level up running speed or build time for LEGO, though most won't be necessary unless you're gunning for 100% completion.
there's always something new to discover whenever you are wandering around hub worlds, inevitably smashing everything in sight...
Speaking of, there is an awful lot of "stuff" in this game. Collectables are nothing new of course, but here the total number of Kyber Bricks alone numbers at over 1,000, on top of multiple part minikits per level, hidden costumes, characters and ships as well as cheat codes to unlock huge stud multipliers.

It's dizzying at times, though it means there's always something new to discover whenever you are wandering around hub worlds, inevitably smashing everything in sight.
Leia takes down some Stormtroopers
The experience is always endearing and wholesome, with even the darker moments of the story poked fun at or even played for laughs.

Between gameplay sections you'll see cutscenes – so far, so normal. However with so much story to get through, these sequences can feel very rushed, with entire plot points or conversations truncating minutes into mere seconds. If this is your first introduction to the story then you'd more than likely struggle, which might be the case for some younger fans.

For most though, it's a well-known story, meaning it doesn't pose too much of a narrative stumbling block, it just means at times you can feel a bit of cutscene whiplash.
A Bongo in Theed, Naboo
The voice acting is, for the most part, on point. Qui-Gon Jin has a bit of a Sean Connery twang, but some of the actors doing impressions of the original performers do a great job – particularly Rey. Others go in a different direction, which also works, as we've seen in the Holiday Christmas Special, from which many of the performers reprise these roles. Finally you have Anthony Daniels and a handful of other originals, so in all it feels like a really mixed bag.

John William's iconic score is included in its full majesty, and the sound design is, as usual, pulled straight out of the film universe, as are all of the location and character designs – many of which boast an impressive amount of scale, which is especially apparent when you're just bumbling about, exploring.

Space is less of a compelling setting, with many space sections already well-trodden more effectively in everything from the recent Squadrons all the way back to the original Rogue Squadron series. It all has the feeling of filler rather than having a real significant point to it.​
A Speeder fights an AT-AT on Hoth
LEGO Star Wars: The Skywalker Saga feels very comprehensive, and with it being the team's umpteenth trip to a galaxy far, far away – though the first in a few years – you'd certainly hope so, but perhaps this should be the swansong for the entire franchise in a way. (Besides further Mandalorian expansions anyway.)

The experience is fun and quite therapeutic, with tons of options of things to do and explore. What's more, the game offers a rare opportunity at some very engaging and varied splitscreen play, which is a huge thumbs up.

For those already itching to jump back into the LEGO Star Wars world, this is a no-brainer, but equally, despite its drawbacks, it's a great introduction into the genre and the galaxy overall.

Pros
  • Nostalgia-fuelled locations, ships and characters abound
  • Using different characters does change the game and adds replayability
  • Everything you could want from a Star Wars LEGO experience…

Cons
  • …though possibly a little too much clutter for some
  • Not a huge number of new ideas
  • Visual updates are noticeable, but not game-changers

9/10​
0 Comments

Elden Ring review | PS5

14/3/2022

 
My original Elden Ring character, an Astrologer, beneath the Erdtree

OK, let’s get the obvious out of the way – yes, Elden Ring is tough. This will be little surprise for anyone who knows developer FromSoftware’s track history, but it was important to give it a little more time than our usual reviews to really scratch the surface of this colossal experience, so here goes…
James Michael Parry
by James Michael Parry

Twitter logo
@james_parry

Elden Ring box art
Developer: From Software
Publisher: Bandai Namco
Platforms: PS5, PS4, Xbox Series X|S, Xbox One, PC
Players: 1+

Coming into this game as a relative newcomer, having had some substantial time with Dark Souls II but never really “getting” it, I was fully prepared for a damn good thrashing, but in the end Elden Ring challenged me in ways I didn’t expect.

The basics? You are a Tarnished, exploring a fantasy world known as The Lands Between. Unlike previous SoulsBorne games, the map is open world, which is probably one of the game’s biggest stand-outs.

You can choose between 10 classes, each of which has differing RPG stats like strength, dexterity and intelligence, and specific starting weapons and armour. After gaining a few levels, done by spending the runes you get from defeating enemies at Sites of Grace, you can customise your build extensively, meaning the lines between classes are fairly thin.

​There’s also magic to contend with, as classes like Astrologer, Confessor and Prophet, which add a different element to the hack-and-slash play style veterans might be used to.

Getting into combat, classes and how the game works is only really explained to an extent. The on-the-nose-titled Cave of Knowledge serves as a tutorial area, which you could actually miss if you rushed through the opening area, which tends to do more to explain traditional combat than magic or arcane-based approaches.

Mastering mechanics like guard counters, parrys, backstabs and visceral strikes is crucial, and the difficulty of encounters varies wildly depending on how well you can execute these moves.

However, my combat experience overall didn’t follow the path of improvement I expected from dying over and over again. Let me explain.​​
As you gain levels, the number of runes needed to gain the next increases, so at times you’ll find yourself wanting to farm runes to gain levels before taking on a particular area or boss. One area I stumbled upon (though I since read is a well-known farming spot) is a hilltop in Stormhill near the Warmaster’s shack, which has five trolls just hanging out.

Each gives you 1,000 runes, and one in particular is more chilled out than the others, making it an easier target. Throughout my time with the game I explored this area many times (and if you try yourself beware doing so at night, as the Deathbird boss lurks nearby), and every single time the experience has gone differently.

​
What’s frustrating is that the method and timing might be exactly the same, but because the enemy AI is clever enough to not be entirely predictable, you never feel like you have a particular handle on the situation, and after one early attempt where I killed 3 or 4 trolls in a row I foolishly went in with a new-found sense of confidence, only to be cut down before defeating even one.​
Every experience of Elden Ring will be different. There are a lot of different options and approaches you can take – some which might be considered easier...but all are valid.
This is the sort of thing which means Elden Ring “isn’t for everyone”. Not because not everyone can “git gud” or because they aren’t capable, but because different people want different things from their gaming experiences, and here the rewarding feeling is earned by a lot of time, hours and determination to keep going back after being killed by Margit, the game’s first mandatory boss, depending on which way you go.

Bosses are a huge part (often literally) of this genre of game, and Elden Ring is no exception. One of the symptoms of an open world is that many of these battles are optional, or at least feel avoidable, since they can be tackled in different orders.

The tougher bosses have NPC summoning signs which you can use to bring a bit of coop support into battle, and the arcane skills known as Ashes of War can also include allies like wolves, a sorcerer or even jellyfish.

You can also team up with other players, the mechanics of which probably could be explained better, but, at this point, what did we expect? The important thing is, the option is there for those who want it, and if you’d rather play offline without any helpful (or deceptive) player messages littering the landscape, you can do that too.​
Big scary Elden Ring enemies
Every experience of Elden Ring will be different. With so many classes, builds, weapons and paths to choose, there’s no right way to work through the game’s map, and there are a lot of different options and approaches you can take – some which might be considered easier than others, but all are valid.

Visually, the game doesn’t give as striking an impression as the Demon’s Souls remake on PS5, though there are plenty of beautifully crafted vistas and memorable locations, just something about this game’s visual style doesn’t have the same contrast and impact.

There is a lot of colour however, with the rich greens, reds and golds of the landscape and sky feeling like a breath of fresh air compared to the greys and browns you might typically see in a FromSoftware production.

There are some technical rough edges as well, with a fair amount of noticeable pop-in textures for things like grass. While it doesn’t tend to affect gameplay, it does emphasise the amount of detail that’s packed into the world.​
Torrent the horse leaping in Elden Ring
Exploration on the other hand is a huge strength. Since sometimes you can run into a tough enemy and feel like you need a change, or to gain a few levels before heading back, having the option of picking any other compass direction and knowing there will be a completely different experience to discover is hugely exciting.

The score and audio design gains some big points as well, with the chilling, understated music swelling to raise the drama of an encounter, and you quickly getting to know sounds that come from touching a Site of Grace or summoning your trusty spectral steed Torrent.

In all, the journey across The Lands Between has been far more enlightening than I expected, with Elden Ring proving to be more forgiving, rewarding and yet more punishing than any game I’ve ever played.

Whether it’s an experience for you or not, you might have already made up your mind, but if you’re hesitant, I would say it’s definitely worth the benefit of the doubt. FromSoft have crafted an experience that's well worth a go.

Pros
  • An open world which redefines what an open world can deliver
  • Tried and tested hack-and-slash with tons of options and approaches
  • A careful balance between challenge and rewarding gameplay

Cons
  • Visuals lack punch at times and pop-in is fairly common, even on PS5
  • Difficulty spikes can be just too unforgiving and encounters inconsistently taxing
  • While the lore of the world is rich, the story takes a backseat a little too much, despite input from George RR Martin

9/10
0 Comments

Mass Effect Legendary Edition Review | PS5

26/5/2021

 
A Reaper touches down

It’s been almost a decade since we last set foot on the Normandy, Captain Shepard’s iconic spaceship, and it feels good to be back. While Mass Effect: Andromeda was a perfectly passable Mass Effect experience, arguably with some of the most refined action in the series, somehow it didn’t have that special something. We just didn’t warm to the protagonist in the same way we did with Shepard - in fact, we’d struggle even to remember their name...
Picture

​by James
Michael Parry

Twitter logo @james_parry

​@james_parry

Picture
Developer: BioWare
Publisher: EA
Platforms: Xbox X|S, Xbox One, PS4, PS4 Pro, PS5, PC
Players: 1

With a whole generation of new fans ready to become galactic paragons and renegades, the remastered trilogy puts players in the boots of Commander Shepard. Alongside a cast of varied companions, he or she must fight against an ancient race of mechanical enemies known as Reapers.

Not everyone has played these games before, so let’s start with a bit of a primer. On the surface, Mass Effect is about a soldier in an intergalactic military who gradually wins the support of both the establishment and the galaxy’s civilian races. Decisions during combat and in conversation decide if players do this virtuously, or with an iron fist.

Wielding skills in diplomacy can decide whether or not users need to pull out a weapon, right from the start. As the trilogy progresses, however, players increasingly come up against enemies which can’t be reasoned with. As a result, ME2 and ME3 rely more heavily on action to get the job done.

This was historically one of the series’ main sticking points, though there are a few tweaks in the Legendary Edition that attempt to tie all three games together as a more cohesive whole.

​ME1 brings much more of a traditional RPG approach, with a significant number of skill points to be spent across a large number of abilities that differ between classes. Later games simplify the process, with only a handful of active skills and a more deliberate upgrade path.
Shepard fights the Geth on Feros
There are tons of weapons, though they all conform to the familiar shotgun, pistol, assault and sniper rifle archetypes. In the first game these work on a cooldown rather than needing to reload, which can make for more strategic combat encounters. Any excess weapons can be assigned to teammates, sold and/or broken down into omni-gel used to skip hacking mini games and repair Shepard’s land vehicle.

In the second and third games, these more unique elements are nowhere to be found. Weapons need loading with thermal clips (presumably to speed up combat), for example.
There’s so much to cover here that it feels like we can only scratch the surface in terms of what players might discover.
Getting back to the first instalment, which has undoubtedly seen the most change, Mass Effect now has smoother combat mechanics in general. Improved cover mechanics, squad orders and a dedicated melee button are cribbed from its sequel to give players more control. That said, utilising biotic and tech powers (essentially magic and tech-based skills, respectively) can still feel quite clunky. Faster enemies are especially hard to take out, as they overwhelm the relatively immobile Commander Shepard easily.
BioWare have taken the time to smooth out the visuals and performance, too. While there’s still the odd janky animation here and there, players will notice the lighting improvements in the first game in particular, which would often require squinting to make out characters’ faces when they had helmets on.

The game runs from a fairly pedestrian, but reliable, 1080p at 30fps, all the way up to 4K UHD at an eye-watering 240fps on PC – provided the graphics card can handle it. What users get ultimately depends on whether they go for the “favour quality” or “favour framerate” graphics mode. For example, the Xbox Series X outputs up to 60fps at 4K UHD on the former setting and up to 120fps at 1440p on the latter.​
Garrus Vakarian
Characters and companions have always been the Mass Effect series’ crown jewel, however. While there are too many noteworthy examples to shout out individually (though we have discussed some of our favourites), it’s fair to say the depth of interaction varies quite significantly both between games and between squadmates and general NPCs.

The first title doesn’t go into too much detail straight away, but, in time, players learn about how companions differ and their individual values. Relationships with some characters can develop into romantic entanglements, all depending on how users behave. 

Where this system - and the accompanying dialogue - can start to creak is when users do things the game doesn’t really expect. In ME1, for example, an Asari consort is having problems with a client. Since the mission structure is fairly open, especially in the bustling Citadel, players might follow this quest line through to completion before another NPC suggests they check on the (already solved) situation.​
Liara T'Soni, your Asari companion and love interest
These kinds of inconsistencies follow through to romantic connections as well. Characters that are romanceable in one game aren’t always in the next, and being reunited with them can feel jarring instead of a natural continuation as would likely be the case in a single, longer game.

Dialogue options directly link to a meter which awards users points for paragon (noble) and renegade (ruthless) behaviour, too. There are benefits to hitting either end of the spectrum, which can lead to the system feeling like it encourages suboptimal decisions in certain situations.

There’s so much to cover here that it feels like we can only scratch the surface in terms of what players might discover. For those who’ve done it all before, the nuanced characters might feel more primitive than you remember, and the gameplay transition between each game can take some getting used to.​
Shepard fights a Husk with an omnitool
For those who are new, Mass Effect: Legendary Edition is a real treat. It’s filled with thoughtful touches and memorable moments that are up there with some of the most dramatic set pieces in gaming history. It might not feel quite as polished as a modern game, but BioWare and EA have done the work to smooth out some of the rougher gameplay and visual edges. It’s now easier and more enjoyable than ever to follow the journey of Commander Shepard from beginning to end, allowing players to fully appreciate the epic space opera in comfort.

Pros

  • Colourful characters you want to go on continued adventures with
  • Freedom of choice in where to explore and how to treat others
  • Pleasant visual and gameplay upgrades throughout the series

Cons
​
  • No dedicated PlayStation 5 and Xbox Series X|S versions
  • Binary choices can feel arbitrary at times
  • Progressive lean towards action trades style for substance

8/10
1 Comment

Assassin's Creed Valhalla review | Xbox One X

19/11/2020

 
Eivor fights a boss with two axes in Assassin's Creed Valhalla

There's nothing like clambering over a snow-capped mountain while exploring the hallowed lands of the Norse. Assassin's Creed Valhalla makes this experience, and many more, nothing short of breathtaking.

Picture
by James Michael Parry

Picture

​@james_parry

Picture
Developer: Ubisoft Montreal
Publisher: Ubisoft
Platforms: Xbox One, PS4, Xbox X|S, PS5, PC
Players: 1

After your customary introduction to the game's systems (with little emphasis on stealth or assassination), you'll reach your first settlement, Fornburg, where your tribe and adopted family stand outnumbered against the enemy.

From here there's time to explore your surroundings before journeying to England and kickstarting the main adventure, as you search for wealth and solve mysteries to bolster your skills and equipment. Quests don't get too much more involved than sneaking, stabbing and sailing, but the setting feels spaced out enough to avoid the repetition which plagued some earlier Assassin’s Creed titles.

Ever since Origins, the series has had more of an RPG flavor, and, far from the largely cosmetic character development in Syndicate, Valhalla's Eivor will unlock not only abilities but a variety of upgradable gear to help on his or her quest. Exploring will also reward you with fancy new abilities which run on a cool down, helping to bring your clan's enemies to a swift end.

This open-world gameplay direction can initially seem at odds with the core stealth mechanics. In time, however, the freedom of movement in a wider space proves more challenging and exciting as you analyse the best ways to approach each situation.
​

Present day check-ins with the returning Layla provide a few smatterings of context for new players unfamiliar with the overarching Abstergo and Animus storyline, though Valhalla is really Eivor's story. That draws a stark contrast to recent Ubisoft stablemate Watch Dogs Legion and its protagonist-less approach, with this game being much stronger for it.

Even during the prologue it’s easy to care about characters, especially the genuine bond with your adopted brother Sigurd. It’s straight from the pages of Game of Thrones, as is the power struggle around which the main story is built.
Norway in Assassin's Creed Valhalla
There's no compromise on scale, though as you travel around you'll notice the odd bit of texture pop-in. Performance is fairly solid on the whole, though we did get stuck in the environment once or twice while searching for goodies in the wilderness.

The approach to uncovering those goodies is fairly unforgiving, with only a vague spot on the in-game map to shoot for. It's a difficult balance to strike, since players tend to roll their eyes at unnecessary hand-holding, but the odd understated voice line to suggest you’re getting colder or warmer would be beneficial in some of the more complex areas.​
Valhalla can suffer from a lack of direction at times, but its Nordic influence seeps into every pore, leaving plenty to get excited about.
Environments are very much divided into things you can interact with and things you can't. You can pick up health from odd pots of food that the locals seem to have absent-mindedly left simmering, but a pile of fresh apples and other fruit in a barn aren't deemed edible, for example.

​
Elsewhere there are more inconsistencies, with Eivor being able to climb mountains endlessly - no stamina needed, à la Breath of the Wild - yet a few consecutive dodges during combat will quickly tire the protagonist.
Eivor and her raven in Assassin's Creed Valhalla
Fortunately, combat as a whole is reassuringly savage and satisfying. Lower level enemies are entertaining fodder, but more advanced foes require you to keep your wits about you.

Assassin’s Creed Valhalla can suffer from a lack of direction at times, but its Nordic influence seeps into every pore, leaving plenty to get excited about. Strong characters, choice of approach and presentation make it a great choice for those breaking in a new next-gen console or sticking with an older platform.

Pros

  • Impressive visuals, even on the old consoles
  • Likeable characters pull you into the story
  • Tried and tested gameplay is more polished than ever before

Cons
​
  • Inconsistent environmental interactions can hamper problem-solving
  • Skill tree can be overwhelming
  • Combat can initially be hard to crack

9/10​
0 Comments

Pokémon Sword and Shield | Review | Nintendo Switch

22/11/2019

 
Pokémon Sword and Shield | Review | Nintendo Switch - Pass the Controller

​The road to the Galar region has been a rocky one for Nintendo and Pokémon fans alike, but when it comes to deciding how this pair of new Nintendo Switch games fare, we'll be focusing on what is here more so than what isn't.

Picture
 
​by James
Michael
​Parry

Picture

@James_Parry

Picture
Developer: Game Freak
Publisher: Nintendo
Platforms: Nintendo Switch
Players: 1
As the first mainline Pokémon titles on Switch, expectations were high coming into Sword and Shield - which we’ve lumped together here due to them being largely identical. The overall experience is ultimately very, very familiar to regular players, with a more traditional gym badge structure returning after Sun and Moon's departure from the well-trodden format, and battles pushing the nostalgia button hard by leaning into familiar tropes.

Sun and Moon, alongside Let's Go Pikachu and Let’s Go Eevee, brought new elements to the table. In Sword and Shield, however, normalcy and familiarity consume about 80-90% of the game, leaving little wiggle room for the few new elements to shine.

One returning feature is the ability to Dynamax Pokémon, overpowering and over-sizing them for three turns of badassery to surpass previous features like Mega Evolutions and Z-Moves. The novelty is initially impressive, but after a few times it wears off as you impatiently ride out the lengthy and unskippable animations.

Some Pokémon also boast Gigantimax forms, which function in much the same fashion only while also tweaking the visual design and granting a signature move to Pokémon. Nintendo made a song and dance about the “new” Gigantamaxing feature, yet this song is barely a remix.

​What does strike up a new tune is encountering significantly over-levelled Pokémon in the Wild Area. Coming up against these presents a chance to push your battle skills early on, but also shows off creatures in something more approaching a natural environment. While Pokémon do prowl about as you wander elsewhere in the game, the large evolutions present in the Wild Area carry an exciting visual impact that brings back memories of the Safari Zone, recapturing some of the child-like wonder of early Pokémon series exploration.
A cross between Teletubbyland and Breath of the Wild's rolling plains, the Wild Area itself could use a bit more intricacy. Biomes and various weather effects seem to shift from hail to sun and back again largely without rhyme or reason, but you'll lose plenty of time pottering about nonetheless. For the collectors amongst you, it's also a great opportunity to fill your Pokédex and diversify your party early on.

The story is by the numbers as usual, so those hoping for a deep, meaningful conversation with an NPC hanging out in a Pokémon Center will continue to be disappointed. A cheerful tune greets you whenever you do visit, though in this region there doesn't seem to be any Poké-helper for the nurse.

Elsewhere, the soundtrack is an awkward mix of sound effects we've been hearing for years (decades even), an increasingly archaic lack of spoken dialogue, and some charming new themes composed for the Wild Area and various cities. So fun are these latter spins on British culture, visually as well as musically, that you might find yourself spending longer than you should lingering in any one location.
​

While some rockstar Pokémon like Pikachu and Eevee get full sound effects - the creatures often saying their own names with a springy sense of joy - most don't have as much aural character, instead relying on adorable animations to help you bond with them as you play together in camps.
Animations overall are a strange mix, though. Even brand new additions like the three available starters (Scorbunny, Sobble and Grookey) have either well-choreographed displays for their unique moves, or completely generic ones which don't seem to match the move at all. You can go from the delight of a bespoke Wooloo "Tackle" to Scorbunny merely jumping on the spot to covey a "Double Kick" – even when it kicks merrily for some other moves.

Shortcomings don't end there, as the game also struggles to make the most of its new platform. Some locations and scenery really shine in terms of their design, but generally you'd be forgiven for assuming that Sword and Shield were 3DS ports.

That might still be enough for many players; after all, it’s almost impossible to escape the joy of setting out on an adventure to go from Pokémon zero to hero. Getting properly invested in a team and playing with their movesets to feel like you have all the bases covered is constantly rewarding, in spite of the eye-watering number of type combinations that are now available.

Hopefully the development compromises and sacrifices felt across Pokémon Sword and Shield will allow Game Freak to reassess and build on their successes to push the envelope in the future. In the meantime, there's a solid and enjoyable experience here, just not a new one.

Pros

  • New Pokémon have some great designs
  • The Wild Area is somewhat game-changing
  • Riffs on British culture are heartwarming

Cons

  • Only a handful of new elements
  • Human characters continue to be dull distractions from the titular stars
  • Many popular Pokémon don’t return, including some of the original starters

7/10
0 Comments

Subdivision Infinity DX | Nintendo Switch | Review

16/8/2019

 
Subdivision Infinity DX review on Pass the Controller - attack!

The trouble with space is that it's mostly empty. Venturing into the unknown in a tiny spaceship in Subdivision Infinity DX, you feel that sense of scale immediately, as enemy ships, gun turrets and collectables flicker as pixels in the distance - particularly in handheld mode.
James Michael Parry

by James Michael Parry

Twitter @james_parry

​@james_parry

Subdivision Infinity DX
Developer: MistFly Games and Blowfish Studios
Publisher: Crescent Moon Games
Platforms: Steam, Nintendo Switch
Players: 1

While almost certainly what developers MistFly Games and Blowfish Studios were going for, it can make things a little difficult to pick out at first. What you do get though is a space adventure you can jump into with both feet from the word go.

With a pokey little starter ship and some tutorial missions awaiting you, you’re introduced to your avatar - a fairly standard-looking white guy - and have a little text-based chat with AV-2, your friendly(?) robot “guy in the chair” who sends you on your missions and often updates you in the field.

Before long you’ll have started to build your supply of coins, used to upgrade your ship, but sadly the better ships and upgrades are level locked. This makes even the early missions quite challenging without taking the time to replay stages in order to make the most of the upgrades you can purchase early on.

​
There are five star systems to explore, each with a few standard missions and a couple of exploration missions which have a very strong emphasis on the exploration, as you might expect, opting not to give you much in the way of direction of objectives. It’s here you’ll do the bulk of your grinding, uncovering hidden crates of supplies and taking down enemies.

​Battles can be a bit frantic, feeling like aerial dogfights as enemy ships whip past and force you to turn around in pursuit. Even your starting lasers lock on once you’re in range, simplifying the often tricky 360-degree targeting system, but enemies seem to have pinpoint accuracy from the word go, meaning you’ll find yourself running for cover (and eventual health regeneration) frequently. Manoeuvrability isn’t a problem, fortunately, with a boost for a bit of added speed and tight controls, once you’ve adjusted the sensitivity to your preference.

Subdivision Infinity DX review on Pass the Controller - exploring space
Subdivision Infinity DX as a whole doesn’t offer a huge amount of variety, and with limited progression and customisation on offer, at least early on, momentum can start to drain fairly quickly. If you absolutely need a space shooter to play on the go, though, Subdivinity offers a taste of the sort of experience you might expect from something like Everspace at a fraction of the cost. What you’ll miss out on is the depth, variety and graphical polish - though it’s a step up from something like Event Horizon or Vostok Inc. - and experience the odd bit of slowdown when things get busy. It all depends what you’re looking for in a space adventure.

Pros

  • Controls are fairly straightforward, once you get used to them
  • Simple presentation lets you jump right in
  • Flying around and dogfighting in outer space

Cons
​
  • Graphics and production values don’t really impress
  • Little variety in the formulaic gameplay
  • Often difficult to make things out playing in handheld mode

6/10​
0 Comments

Heaven's Vault | PS4 | Review

25/4/2019

 
Picture

As my GCSE German teacher would tell you, I’ve never been particularly blessed with languages. How is it then, that Heaven’s Vault has stuck with me from the first play - back at Rezzed in 2018 - right through until now? More importantly, has that initial promise spawned the Oscar Wilde of video games, or, much worse (but definitely funnier), Danny Dyer?

Picture
by Rob Holt
Picture

@acousticmagic

Picture
Developer: Inkle
Publisher: 
Inkle
Platforms: PC, PS4
​Players: 1
Heaven’s Vault casts you in the role of Aliya, an archaeologist with an intriguing past, a love for destroying robots, and a taste for discovery. From the very first moments of the game there’s intrigue aplenty: Aliya’s one-time saviour and now-time mentor tasks you with finding her lost associate, a fellow by the name of Renba. It’s from this simple quest that the game opens up, branches out, and, ultimately, thoroughly entertains.

Now that you know the basic premise, how does the game actually play? Well, you’ll find yourself flitting between third-person adventuring and point-and-clicking, conversing with multiple dialogue options, language deciphering, and... sky sailing on your noble steed. We’ll break them all down individually, of course, but what we can say for sure is this that each element comprising Heaven’s Vault is so well executed, you’ll be hard pressed to pick a favourite.

Point-and-click adventure sections form the backbone of the game, and depending on personal preference (or time constraints) you can indulge in as much, or as little, detective work as you like. We were so taken by the gameworld and story that we spent as much time as possible in each area, gathering every morsel of information available, to not only aid our discovery of what happened to Renba, but to understand as much as we could about the ancient language and characters at the center of the game.

​
These sequences are also where you’ll start to see the true beauty of the world which developer Inkle has created. One moment you might find yourself on the Zelda-infused farming moon of Maersi, a location flourishing with lush green grass, endless trickling water, pigs and not-so-friendly citizens. The next you’ll be on a barren, rocky moon, being blown away by sandstorms. Ten minutes later, the bustling, definitely-influenced-by-Marrakech alleys and markets of Elboreth. Then there’s the Garden Palace, a level so thoroughly, stunningly beautiful you can’t help but sit back and just admire it.
Like many games before it, Heaven’s Vault utilises an excellent conversation system that not only affects how people interact with you, but what you learn about the settings, story and lore. We’re sure many would site the Mass Effect series here, but since the Brighton branch of PTC (that’s me) has never played any of them, it feels rather more like the ghost of Shenmue. How will you behave around a particularly aggressive slave master, for example? Will you try and sympathise, or downright scold them for their line of work, thus potentially closing off a line of questioning and information? These choices even change the course of your relationship with robot sidekick Six, who bloody loves a good natter.

Discovery and decoding of an ancient language is one of the main parts of the game that we found so compelling back at Rezzed 2018, so it’s wonderful to see it fully realised in the final product. This is where a thirst for adventure really helps, too: interact with everything you can, as often Aliya will remark about inscriptions or glyphs on certain items, and it’s here where the fun begins. If an inscription is split into four parts, let’s say, you’ll be given a potential selection of words to fill in each of the blanks, based on what you’ve previously tried or discovered. This charming element of trial and error further strengthened our desire to explore.

​
What was all that lark about sky sailing, then? Imagine a blend of Panzer Dragoon and The Wind Waker and you’ll have a decent idea of what to expect, as you pilot the good ship Nightingale along vast rivers in the clouds, to destinations new and old, all the while having one eye out for ruins and wreckages to plunder. The tranquil mood, pastel hues and sublime strings and pianos stave off any potential frustration at the amount of time it can take to get between places in the game, but those of you without patience will be happy to hear that a fast travel option is currently being patched in.
Heaven’s Vault never fails to leave you in awe, in a way only a few games really do.
We’re not sure why you’d want to skip over absorbing more of such a resplendent and alluring game, though. From the dark outlines and subtle colours of the exquisite hand-drawn 2D characters, to the fully 3D, lush environments of the Nebula, Heaven’s Vault never fails to leave you in awe, in a way only a few games really do (here’s looking at you, Breath of the Wild). It’s largely these lavish, luxuriant locales that spur you on to visit as much of the world as possible.

​There’s just so much to love about the game, honestly. Sure, it isn’t completely flawless (the lack of music in many of the cutscenes seems odd, especially considering how good the soundtrack is), but the blend of adventuring, sky sailing, story and language are pretty close to perfect. The wealth of choices mean it’s ripe for multiple replays, too, so you’re really getting your money’s worth.
Whether it’s the small touches such as story recaps every time you start a play session, or the big ones listed above, Heaven’s Vault manages to tap into that truly wondrous, almost childlike sense of discovery brought on by experiencing something for the first time. If it sounds like your speed, make sure you don’t miss out on this glorious, glorious experience.

Pros
​
  • Absolutely stunning visuals
  • Fantastically blends point-and-click adventure with other genres
  • Deep lore, story and characters
  • Sublime audio all around
  • Encourages you to do it your way, lending the game replay value

Cons
​

  • Jarring sections where the gorgeous audio vanishes
  • Lengthy travel times may bore some (though there’s a fix incoming)

9/10
0 Comments

Spyro Reignited Trilogy | Xbox One | Review

26/11/2018

 
Spyro-Reignited-Trilogy

Hot on the heels of their Crash Bandicoot reboot, Toys For Bob and Activision are back with another slice of 90’s nostalgia in the form of Spyro Reignited Trilogy, an upgraded collection of the first three titles to star the diminutive purple dragon, lovingly restored for a new generation.

Picture
 
 by Liam
​ Andrews


Picture

​@liam_andrews5

Picture
Developer: Toys For Bob
Publisher: Activision
Platforms: Xbox One, PlayStation 4, PC 
Players: 1

Even if you’re too young to remember these games in their original forms, or just happen to have grown up in a household where Mario was the undisputed king of platformers, a quick search shows just how much of a stellar job the team at Toys For Bob have done bringing Spyro into the modern era.

​Blocky graphics and blurry textures have been polished and smoothed to a standard fit for today's consoles, while more refined animations breath new life into characters, particularly in the first game, where Spyro’s fellow dragons now boast unique personality traits to help set them apart from one another. The only downsides to this are an occasional dropped frame and a sometimes tricky camera (an element you didn’t previously have manual control over), though neither are intrusive enough to spoil the experience.

It’s also worth noting at this point that Reignited doesn’t give you the option of enabling subtitles. While this won’t be a deal breaker for most players, for some they’re a real necessity. Although the trio of games don’t lean heavily on their narratives, it seems odd that such a basic feature would be overlooked, especially considering how many of the first game’s tips are tricks are handed out through short vignettes every time you rescue a dragon. Hopefully it’s something that’ll be remedied in a future patch.

Despite the drastic visual overhaul, there’s much here that’ll feel instantly familiar to veterans of the series, with core gameplay and level designs that remain true to the source material. Map layouts are the same, and Spyro can use his signature jump, glide, charge and flame abilities just as he did in the past.
There are still gems galore to hoover up across the hub worlds and their many colourful offshoots, and old hands and newcomers alike will be glad to hear that the relatively rudimentary gameplay still holds up, even if enemies - particularly bosses - do seem absurdly easy by today’s standards.

​All three games feature a healthy mix of biomes, from sandy deserts and treetop villages to the obligatory water levels, but it’s the sequels, Ripto’s Rage! and Year of the Dragon, that outshine the first thanks to the addition of non-dragon NPCs which imbue worlds with extra character. Year of the Dragon even sees you take control of Sypro’s sidekicks now and then, including a jetpacking penguin with shoulder-mounted rocket launchers, which is just about as fun as it sounds.

Along with bonus levels – including our personal favourites that see you flying through obstacles and taking out enemies within a time limit – these moments help to stop monotony from creeping in as you progress through the collection. There’s also the added challenge of collecting skill points, which are acquired through completing specific tasks on certain levels, be it taking out enemies with particular attacks, reaching a hidden area or taking no damage during a boss fight.
Reuniting with Spyro provided a welcome and nostalgic distraction from modern life.
They add another layer of depth, especially for the completionists out there, but the concept art offered as a reward for their completion is a bit underwhelming. We’d have been much more motivated to hunt down all of the numerous challenges if there was a sweeter bonus up for grabs, like maybe a means to switch between the original and remastered visuals. As it is, the only throwback to the original games’ design is the option to play with the old-school soundtrack (composed by The Police drummer Stewart Copeland) enabled, which doesn’t actually sound all that different from the updated one.

Although the Reignited Trilogy may appear basic compared to many of today’s offerings - you won’t find any branching skill trees or a particularly engaging storyline here - the colourful, cheery nature of the games kept pulling us back in for more. On the whole, reuniting with Spyro provided a welcome and nostalgic distraction from modern life, reminding us of a simpler time when penny sweets and six o'clock double headers of The Simpsons were the norm.

Pros
​
  • Simple, satisfying gameplay
  • Beautifully remastered visuals
  • Characters have a lot more personality
  • Switching between the three games is easy

​Cons
​
  • Occasional dropped frames
  • Boss fights are underwhelming
  • No comparison tool to showcase the visual leap
  • No subtitles

7/10
0 Comments
<<Previous


    READ MORE

    News
    Features
    Videos

    Comment Here

    Categories

    All
    Action Adventure
    Adventure
    Air Combat
    Arcade
    Family
    Fantasy
    Fighter
    Hardware
    Horror
    Indie
    Management Sim
    Multiplayer
    Narrative
    Open World
    Party
    Platformer
    Puzzler
    Racing
    Roguelike
    Roguelite
    Role Playing
    RPG
    Shmup
    Shooter
    Sim
    SoulsLike
    Sports
    Stealth
    Strategy
    Survival
    Virtual Reality


    Archives

    February 2025
    December 2023
    November 2023
    September 2023
    July 2023
    June 2023
    April 2023
    March 2023
    February 2023
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    April 2022
    March 2022
    December 2021
    November 2021
    October 2021
    June 2021
    May 2021
    December 2020
    November 2020
    October 2020
    July 2020
    April 2020
    March 2020
    January 2020
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015


    RSS Feed

Pass the Controller

News
Reviews
Features
​
Videos
Community
About

What is PTC

About Us
​Meet the Team
​
Contact Us
Find our reviews on:
  • OpenCritic
  • vrgamecritic
© COPYRIGHT 2014-2022 PTC / JMP.
​ALL RIGHTS RESERVED.